2.0
Review: Antigone, New Diorama Theatre
Antigone isn’t short of drama - war, sibling rivalry, and murder. Yet, sat here tonight, I am baffled as to why this classic tragedy is being played out like a...
Lulu Raczka
2.0
Review: Grey Man, Theatre503
Lulu Raczka’s brilliant double monologue Grey Man, playing at Theatre503 this week, was developed out of a one-hander first performed as part of the Shakespeare...
Review: The Iphigenia Quartet, Gate Theatre
For those who are unaware, Iphigenia in Aulis is a Greek tragedy by Euripides concerning the sacrifice of the princess Iphigenia by her father King Agamemnon (s...
Edinburgh Review: Nothing, Summerhall
Nothing inspires faith in the capability of theatre to serve a whole generation. It feels urgent and necessary, and is about as good as young, emerging fringe t...
Feature: Edinburgh preview – Barrel Organ’s Nothing
Barrel Organ, a new company of graduates from the University of Warwick, has announced itself fairly well thus far. With its debut production, Nothing by up-and...